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ArtCrusade

Words are my passion.
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Hey guys, long time no see. :)

I'm here to talk about a book that I just finished reading yesterday, and since none of my friends or family are interested in literature, and especially not if it's not German, I decided to take it here. :P

Part of my father's heritage are his books, many of which are fantasy novels, but also lots of philosophy. Since I am a huge fan of such stories, my mood brightened a lot when my eyes fell upon old copies of George MacDonald's work. Now, I hadn't read any of his books yet, but indeed, I had heard a lot about him before. He inspired the likes of Auden, Lewis and Tolkien, and made adult fantasy a thing. 

Lilith is by all means not a book for a casual reader who is used to reading light fare. The style it was written in is dated, as it was published more than a hundred years ago. Part horror, part romance, part fantasy, part theological treatise, and part philosophical musing, Lilith has to be experienced for any true fantasy connoisseur. I won't guarantee that you'll like it, but I guarantee there are shining jewels in it that'll make you think or, at the least, make you uneasy. Just let me show you a few gems:

~

"Strange dim memories, which will not abide identification, often, through the misty windows of the past, look out upon me in the broad daylight, but I never dream now. It may be, notwithstanding, that, when most awake, I am only dreaming the more! But when I wake at last into that life which, as a mother her child, carries this life in its bosom, I shall know that I wake, and shall doubt no more."

"Our life is no dream, but it should and will perhaps become one."

~

The last quote originally belongs to Novalis, a German philosopher. It somehow can be described as the main motif of the book, although there is a lot more to it. I don't want to lose words on the plot either, as that can be done easily by opening the Wikipedia article to this book. What I wanted to express was that never before have I read a book like this, and frankly, I do not believe there's another like it. It made me think and question what I perceived to know about life, death, and spirituality, and no book has done this before - not like this. I'd rate this 4.9/5, as the plot has some shortcomings in some places. But overall, Lilith truly is a masterpiece!

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Greetings, friends. :)

Haven't we all been there, reading articles about words to use and words to avoid? Words like very, suddenly, the twins amazing and wonderful, or even perfect. There is a hundred of pages that tell us what to do, what to write, and especially, what not to write - and those are the real nuisance.

When I started writing poetry, I had little grasp of the matter. I was anxious to make the obvious mistakes and be pointed out a newbie. Of course, it was evident in my work anyway, and some of my old poems I am too embarassed to show to people interested in my texts. 

But the thing here is, I got anxious because these lists exist. Because there is a lot of people who read them and hold them before themselves like a shield. And I surely am not the only one that felt this way. The question is: is this something we want?

There's a lot of things I could despise in a piece of writing. E.g., I have a pet hate for burlesque descriptions of perfectness in romance. But that is up to the writer, and not some ethical authority on the net. There is people who delve into such stories, and love them hysterically. And it is not mine to judge!

I try to imagine how my start in writing would have went had I not delved so far into all these guides about do's and don'ts. I would probably have been a lot more secure and content with my work, and even more so today. I know I'm no Poe, no Shakespeare, no Faulkner, no Yeats. But I can try -

right? 

All I am trying to say is: write as you please, lest to say: do not write to please others. It is your writing, and yours to choose the right words to carry your voice. Be content of what you do, and carry on writing. Practice is everything, and a bad critique only judges your writing at that moment in time. We do not need such lists, for writing is free for all!

/rant

Thank you for taking the time to read through this. I hope everyone is doing what they love, and happy with that! :)


Cheers,



Matt

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Hey guys,

I want to start a weekly journal about fantastic, imaginative, and most haunting music. At 22, I have already spent so much of my time on listening to music, I simply feel I need to share some with you.

Now, what of genres? I will try to showcase musicians less known to the public. So many gems in music remain hidden to a limited audience.. it's a shame.

Without further ado, I present:

Daughter - Youth



Lyrics:

Shadows settle on the place, that you left.
Our minds are troubled by the emptiness.
Destroy the middle, it's a waste of time.
From the perfect start to the finish line.

And if you're still breathing, you're the lucky ones.
'Cause most of us are heaving through corrupted lungs.
Setting fire to our insides for fun
Collecting names of the lovers that went wrong
The lovers that went wrong.

We are the reckless,
We are the wild youth
Chasing visions of our futures
One day we'll reveal the truth
That one will die before he gets there.
And if you're still bleeding, you're the lucky ones.
'Cause most of our feelings, they are dead and they are gone.
We're setting fire to our insides for fun.
Collecting pictures from the flood that wrecked our home,
It was a flood that wrecked this...

And you caused it
And you caused it
And you caused it

Well I've lost it all, I'm just a silouhette,
A lifeless face that you'll soon forget,
My eyes are damp from the words you left,
Ringing in my head, when you broke my chest.
Ringing in my head, when you broke my chest.

And if you're in love, then you are the lucky one,
'Cause most of us are bitter over someone.
Setting fire to our insides for fun,
To distract our hearts from ever missing them.
But I'm forever missing him.

And you caused it
And you caused it
And you caused it


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1. How long have you been on deviantART?


4 years and counting! I first introduced myself here when I barely turned 18.

2. What does your username mean?

There's a bit of a story there. When I first registered in a forum for an old game called Might and Magic VI, there was a minion called 'goldgolem', which basically is a huge chunk of iron made man that explodes when killed.

Needless to say, such a creature was my favourite at that time, and so that was my name on that particular forum. When I started registering in more forums, I altered the name to fit the specific forum and made that a habit. 

And that's why I'm named ArtCrusade here, on deviantART.

3. Describe yourself in three words.

Determined, dedicated, dreaded. :D

4. Are you left or right handed?

Right handed, and prestidigitation is nothing to label my left one with.

5. What is your first deviation?

Back in the day, I was fumbling around with Photoshop CS2 a lot, and especially with all the different filters. Some neat art was created back then, and the first to see light here on dA was this one:

Plasma Explosion by ArtCrusade

6. What is your favourite type of art to create?

That'll definitely be poetry. It has grown on me like a second skin, and I am yet to shed it, pile it up in a drawer and forget about it for lack of talent. :B I still draw, but not as much as I used to.

7. If you could instantly master a different art style, what would it be?

Writing fictive stories. So much love for anyone out there creating great books with dedication and spirit.

8. What was your first favourite?

Of course it was Animator vs Animations! Why is this even a question? :D

Animator vs. Animation by alanbecker

9. What type of art do you tend to favourite the most?

I do not lean towards any specific genre in particular. If it is well-executed art with a uniqueness to it, consider it faved, commented, and critiqued on in an instant. I do not like the 'yet another iteration of the same subject' kind of art.

10. Who is your all-time favourite deviant artist?

That must be Ben Heine! He's prolific, dedicated, and a creative genius. In his own way, he took digital art to another level by mixing it with traditional art and photography. If you haven't yet, do check him out!

11. If you could meet anyone on deviantART in person, who would it be?

Now that is a difficult question to answer. There are lots and lots of absolutely amazing people on here, of who I do know but a little fraction. Of this tiny little fraction, I would probably choose the ZantherPanther though. :) She's the best, but she would disagree to this. Panthers lurk around by theirselves after all. ;)

12. How has a fellow deviant impacted your life?

Out of the few that I do know better, and the few that I do know not only by text, but by means of Skype and the like. There is only one person that had a really great impact on my life - in general! But she shall remain unnamed. We do not talk anymore unfortunately.

13. What are your preferred tools to create art?

I take notes on my iPad whenever I have an idea. I translate these notes to my Sta.sh writer and see where it takes me.

For drawing, I prefer white paper, pencils, and black and blue pens. Although I experiment with other media as well, that is my preferred style. :)

14. What is the most inspirational place for you to create art?

Sitting in a subway, the bus, or on the train. I get inspired by lurking around, reading ads, anything. I need that input! Being in public with lots of buzzing people around me, but still being secluded gives me the drive to create.

15. What is your favourite deviantART memory?

2 years ago, when #WriteRoom was still a thing and the admins weren't hypocritical dumbarses. 'twas a good time back then, with all the nice people that made this particular channel a lively place, and a lovable too.


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I would love to share a fantastic poem by one of my favourite British poets, Charlotte Brontë. While it doth sound a little cliche here and there, we have to remember that the poem was written in a time when cliches were born - yes! We are talking 19th century. ;)

THE TEACHER'S MONOLOGUE

THE room is quiet, thoughts alone 
People its mute tranquillity; 
The yoke put on, the long task done,­ 
I am, as it is bliss to be, 
Still and untroubled. Now, I see, 
For the first time, how soft the day 
O'er waveless water, stirless tree, 
Silent and sunny, wings its way. 
Now, as I watch that distant hill, 
So faint, so blue, so far removed, 
Sweet dreams of home my heart may fill, 
That home where I am known and loved: 
It lies beyond; yon azure brow 
Parts me from all Earth holds for me; 
And, morn and eve, my yearnings flow 
Thitherward tending, changelessly. 
My happiest hours, aye ! all the time, 
I love to keep in memory, 
Lapsed among moors, ere life's first prime 
Decayed to dark anxiety. 

Sometimes, I think a narrow heart
Makes me thus mourn those far away, 
And keeps my love so far apart 
From friends and friendships of to-day; 
Sometimes, I think 'tis but a dream 
I measure up so jealously, 
All the sweet thoughts I live on seem 
To vanish into vacancy: 
And then, this strange, coarse world around 
Seems all that's palpable and true; 
And every sight, and every sound, 
Combines my spirit to subdue 
To aching grief, so void and lone 
Is Life and Earth­so worse than vain, 
The hopes that, in my own heart sown, 
And cherished by such sun and rain 
As Joy and transient Sorrow shed, 
Have ripened to a harvest there: 
Alas ! methinks I hear it said, 
'Thy golden sheaves are empty air.' 
All fades away; my very home 
I think will soon be desolate; 
I hear, at times, a warning come
Of bitter partings at its gate; 
And, if I should return and see 
The hearth-fire quenched, the vacant chair; 
And hear it whispered mournfully, 
That farewells have been spoken there, 
What shall I do, and whither turn ? 
Where look for peace ? When cease to mourn ? 

'Tis not the air I wished to play,
The strain I wished to sing;
My wilful spirit slipped away
And struck another string.
I neither wanted smile nor tear,
Bright joy nor bitter woe,
But just a song that sweet and clear,
Though haply sad, might flow. 

A quiet song, to solace me
When sleep refused to come;
A strain to chase despondency,
When sorrowful for home.
In vain I try; I cannot sing;
All feels so cold and dead;
No wild distress, no gushing spring
Of tears in anguish shed; 

But all the impatient gloom of one
Who waits a distant day,
When, some great task of suffering done,
Repose shall toil repay.
For youth departs, and pleasure flies,
And life consumes away,
And youth's rejoicing ardour dies
Beneath this drear delay; 

And Patience, weary with her yoke,
Is yielding to despair,
And Health's elastic spring is broke 
Beneath the strain of care. 
Life will be gone ere I have lived;
Where now is Life's first prime ?
I've worked and studied, longed and grieved,
Through all that rosy time. 

To toil, to think, to long, to grieve,­
Is such my future fate ?
The morn was dreary, must the eve
Be also desolate ?
Well, such a life at least makes Death
A welcome, wished-for friend;
Then, aid me, Reason, Patience, Faith,
To suffer to the end! 


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Featured

Book recommendation: Lilith by ArtCrusade, journal

About the 'Dont use..'-word lists by ArtCrusade, journal

Music Feature: Daughter by ArtCrusade, journal

#DeviantArtistQuestionnaire by ArtCrusade, journal

The Teacher's Monologue - Charlotte Bronte by ArtCrusade, journal